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The Metamorphoses of Ovid, Books I-VII

Ovid

Public domain worldwide

Project Gutenberg

155 chapters · 1,289 paragraphs

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This is classical Greco-Roman mythology set in an idealized ancient world combining Greek and Roman pantheons, geography, and cultural elements. The visual tone should be luminous and classical, with ethereal divine realms contrasted against earthly natural settings, employing warm golds, cool silvers, and rich naturalistic colors throughout.

Characters

  • Apollo

    A youthful, radiant god with golden hair and classical Greek features, often depicted wearing a laurel wreath and draped in flowing white or golden robes. He carries a lyre or bow and exudes divine brightness and masculine beauty.

  • Diana/Artemis

    A graceful goddess with silver-blonde hair, typically wearing a short hunting tunic and accompanied by hunting dogs. She has a virginal, athletic bearing and carries a bow and quiver of arrows.

  • Venus/Aphrodite

    An enchantingly beautiful goddess with flowing golden or auburn hair, often partially or fully draped in delicate silks. She radiates sensuality and charm, sometimes accompanied by Cupid.

  • Jove/Jupiter

    A mature, powerful male figure with a commanding presence, often bearded and crowned or wearing a laurel wreath. Depicted in flowing robes, sometimes with thunderbolt imagery.

  • Daphne

    A beautiful young maiden with long flowing hair, often shown in mid-transformation with her body partially turning into laurel branches. Her expression conveys fear and despair as nature reclaims her form.

Settings

  • Mount Olympus

    A celestial palace suspended in clouds with gleaming white marble columns, golden accents, and divine light streaming through. The architecture is classical Greek with an otherworldly ethereal quality.

  • Classical Forests and Groves

    Ancient woodland scenes with towering trees, dappled sunlight, and clearings sacred to the gods. The atmosphere is mysterious and enchanted, with flowing streams and natural beauty rendered in deep greens and warm earth tones.

  • Ancient Greek Temples and Cities

    Classical structures with Doric and Ionic columns, marble statuary, and Mediterranean landscapes. The architecture reflects ancient Greece and Rome with warm stone tones and clear blue skies.

Contents

  1. The Project Gutenberg eBook of The Metamorphoses of Ovid, Books I-VII
  2. INTRODUCTION.
  3. BOOK I.
  4. BOOK II.
  5. BOOK III.
  6. BOOK IV.
  7. BOOK V.
  8. BOOK VI.
  9. BOOK VII.
  10. INTRODUCTION.
  11. Interlinear Translations
  12. Latin Interlinear Translations:
  13. Greek Interlinear Translations:
  14. S. Austin Allibone, the distinguished author, writes:
  15. THE METAMORPHOSES Books I-III.
  16. THE ARGUMENT.
  17. FABLE I.
  18. EXPLANATION.
  19. FABLE II.
  20. EXPLANATION.
  21. FABLE III.
  22. EXPLANATION.
  23. FABLE IV.
  24. EXPLANATION.
  25. FABLE V.
  26. EXPLANATION.
  27. FABLE VI.
  28. EXPLANATION.
  29. FABLE VII.
  30. EXPLANATION.
  31. FABLE VIII.
  32. EXPLANATION.
  33. FABLE IX.
  34. EXPLANATION.
  35. FABLE X.
  36. EXPLANATION.
  37. FABLE XI.
  38. EXPLANATION.
  39. FABLE XII.
  40. FABLE XIII.
  41. EXPLANATION.
  42. FABLE XIV.
  43. EXPLANATION.
  44. FABLE XV.
  45. EXPLANATION.
  46. FABLE XVI.
  47. EXPLANATION.
  48. FABLE XVII.
  49. EXPLANATION.
  50. Supplementary Notes (added by transcriber)
  51. FABLE I.
  52. EXPLANATION.
  53. FABLE II.
  54. FABLE III.
  55. FABLE IV.
  56. EXPLANATION.
  57. FABLE V.
  58. FABLES VI AND VII.
  59. EXPLANATION.
  60. FABLE VIII.
  61. EXPLANATION.
  62. FABLE IX.
  63. EXPLANATION.
  64. FABLE X.
  65. FABLE XI.
  66. FABLE XII.
  67. EXPLANATION.
  68. FABLE XIII.
  69. EXPLANATION.
  70. FABLE XIV.
  71. EXPLANATION.
  72. FABLE I.
  73. EXPLANATION.
  74. FABLE II.
  75. EXPLANATION.
  76. FABLE III.
  77. EXPLANATION.
  78. FABLE IV.
  79. EXPLANATION.
  80. FABLE V.
  81. FABLE VI.
  82. EXPLANATION.
  83. FABLE VII.
  84. EXPLANATION.
  85. FABLE VIII.
  86. EXPLANATION.
  87. Supplementary Note (added by transcriber)
  88. THE METAMORPHOSES Book IV-VII.
  89. FABLE I.
  90. EXPLANATION.
  91. FABLE II.
  92. EXPLANATION.
  93. FABLE III.
  94. EXPLANATION.
  95. FABLE IV.
  96. EXPLANATION.
  97. FABLE V.
  98. EXPLANATION.
  99. FABLE VI.
  100. FABLE VII.
  101. EXPLANATION.
  102. FABLE VIII.
  103. EXPLANATION.
  104. FABLE IX.
  105. FABLE X.
  106. EXPLANATION.
  107. Supplementary Notes (added by transcriber)
  108. FABLE I.
  109. EXPLANATION.
  110. FABLE II.
  111. EXPLANATION.
  112. FABLE III.
  113. EXPLANATION.
  114. FABLE IV.
  115. EXPLANATION.
  116. FABLE V.
  117. EXPLANATION.
  118. FABLE VI.
  119. EXPLANATION.
  120. EXPLANATION.
  121. Supplementary Notes (added by transcriber)
  122. FABLE I.
  123. EXPLANATION.
  124. FABLE II.
  125. EXPLANATION.
  126. FABLE III.
  127. EXPLANATION.
  128. FABLE IV.
  129. EXPLANATION.
  130. FABLE V.
  131. EXPLANATION.
  132. FABLE VI.
  133. EXPLANATION.
  134. FABLE VII.
  135. EXPLANATION.
  136. Supplementary Notes (added by transcriber)
  137. FABLE I.
  138. EXPLANATION.
  139. FABLE II.
  140. EXPLANATION.
  141. FABLE III.
  142. EXPLANATION.
  143. FABLE IV.
  144. EXPLANATION.
  145. FABLE V.
  146. FABLE VI.
  147. EXPLANATION.
  148. FABLE VII.
  149. EXPLANATION.
  150. FABLE VIII.
  151. EXPLANATION.
  152. Supplementary Note (added by transcriber)
  153. More about the texts
  154. Errors and Variations
  155. Footnote Numbering