
The Metamorphoses of Ovid, Books VIII-XV
Ovid
Public domain worldwide
123 chapters · 1,275 paragraphs
Classical antiquity with Mediterranean geography; the visual tone is noble, tragic, and transformative—featuring Greco-Roman mythology presented through Renaissance-influenced classicism with warm earth tones, dramatic chiaroscuro lighting, and heroic but often melancholic subject matter reflecting the collection of metamorphic tales.
Characters
Ovid (Classical Author)
Roman poet of the Augustan age; typically depicted as a bearded man in classical Roman dress with toga, olive-toned skin, contemplative expression reflecting his role as narrator and compiler of mythological tales.
Theseus
Heroic young man with athletic build, typically depicted with dark curled hair, often wearing Greek armor or simple tunic; represents courage and noble bearing.
Medea
Dark-haired woman of striking beauty and intense gaze, often wearing flowing robes; frequently shown with mystical or sorrowful demeanor reflecting her role as enchantress and tragic figure.
Daedalus
Bearded, skilled craftsman depicted as middle-aged or older with weathered features; shown with tools and creative implements, embodying ingenuity and artistic mastery.
Icarus
Young man or youth with fair or light curling hair, often depicted with wax wings; youthful and idealistic in appearance, representing youth and hubris.
Settings
Classical Greece and Rome
Mediterranean landscapes with marble temples, Doric columns, olive groves, and azure seas; architecture features classical proportions with warm golden stone and white marble.
Mythological Labyrinth
Complex stone corridors with towering walls and shadowed passages; architectural elements are imposing and maze-like, evoking mystery and danger.
Mount Olympus / Divine Realms
Ethereal, cloudlike settings with golden light and celestial atmosphere; features classical temples suspended among clouds, with divine radiance and otherworldly luminosity.
Contents
- The Project Gutenberg eBook of The Metamorphoses of Ovid, Books VIII-XV
- LONDON: REPRINTED FROM THE STEREOTYPE PLATES BY WM. CLOWES & SONS, LTD., STAMFORD STREET AND CHARING CROSS.
- INTRODUCTION.
- BOOK VIII.
- BOOK IX.
- BOOK X.
- BOOK XI.
- BOOK XII.
- BOOK XIII.
- BOOK XIV.
- BOOK XV.
- FABLE I.
- EXPLANATION.
- FABLE II.
- EXPLANATION.
- FABLE III.
- EXPLANATION.
- FABLE IV.
- EXPLANATION.
- FABLE V.
- EXPLANATION.
- FABLE VI.
- EXPLANATION.
- FABLE VII.
- EXPLANATION.
- FABLE I.
- EXPLANATION.
- FABLE II.
- EXPLANATION.
- FABLE III.
- EXPLANATION.
- FABLE IV.
- EXPLANATION.
- FABLE V.
- EXPLANATION.
- FABLE VI.
- EXPLANATION.
- FABLE I.
- EXPLANATION.
- FABLE II.
- EXPLANATION.
- FABLE III.
- EXPLANATION.
- FABLE IV.
- EXPLANATION.
- FABLE V.
- EXPLANATION.
- FABLE VI.
- EXPLANATION.
- FABLE VII.
- EXPLANATION.
- FABLE VIII.
- EXPLANATION.
- FABLE IX.
- EXPLANATION.
- FABLE X.
- EXPLANATION.
- Supplementary Note (added by transcriber)
- FABLE I.
- EXPLANATION.
- FABLE II.
- EXPLANATION.
- FABLE III.
- EXPLANATION.
- FABLE IV.
- EXPLANATION.
- FABLES V. AND VI.
- EXPLANATION.
- FABLE VII.
- EXPLANATION.
- FABLE VIII.
- EXPLANATION.
- FABLES I. AND II.
- EXPLANATION.
- FABLES III. AND IV.
- EXPLANATION.
- FABLES V. AND VI.
- EXPLANATION.
- FABLE I.
- EXPLANATION.
- FABLES III. AND IV.
- EXPLANATION.
- FABLES V. AND VI.
- EXPLANATION.
- FABLE VII.
- EXPLANATION.
- FABLE VIII.
- EXPLANATION.
- FABLE I.
- EXPLANATION.
- FABLE II.
- EXPLANATION.
- FABLE III.
- EXPLANATION.
- FABLE IV.
- EXPLANATION.
- FABLE V.
- EXPLANATION.
- FABLE VI.
- EXPLANATION.
- FABLES VII. AND VIII.
- EXPLANATION.
- FABLES IX. AND X.
- EXPLANATION.
- FABLE XI.
- FABLES XII. AND XIII.
- EXPLANATION.
- FABLE I.
- EXPLANATION.
- FABLES II. AND III.
- EXPLANATION.
- FABLES IV. V. AND VI.
- EXPLANATION.
- FABLE VII.
- EXPLANATION.
- FABLE VIII.
- EXPLANATION.
- Supplementary Notes (added by transcriber)
- More about the text
- Line Numbers
- Errors and Inconsistencies
- Variant Names
- Footnote Numbering